Category Archives: The Business of Illustration

Your Business Your Mindset- Purpose, Mission and Values

Over the course of the 12 Week Challenge, I will be drawing upon the experience of seasoned professionals in a number of areas to provide extra help and assistance to all participants.

The following post is from professional cartoonist Carlos Castellanos >>>

It can’t be overstated how important defining your purpose, values and mission are in developing and maintaining a success mindset.

Don’t think Purpose, Mission and Value statements are only for large businesses either.

‘WHY’ you do what you do, and the results and benefits clients will get from working with you versus someone else will be key in determining your value to your clients. Sure, they may hire you based on your unique artistic style alone. But I suggest you couple that with a value centered message your target clients will connect with on a deeper level.

Chances are your prospective ideal clients have purpose, values and mission statements of their own. Read what they are and reflect that in your communications with them, but be genuine.

How do you find out this information? Visit their website.

Beyond deciding on the kind of work you want to produce and the market or clients you want to produce it for, how do you feel about the work you do?

You are Not Just Selling Art - My own experience:

When I first started freelancing, my target market was local ad agencies and design firms. While I didn’t have a specific art style or subject matter that I worked in, my focus was to offer as many illustrative services as I was competently capable of delivering to the lucrative advertising market.

My value centric reason for my choosing this market?

  • Purpose and mission -I took pride in being a visual problem solver for clients working in challenging environments, who could count on me to deliver quality work, under tight deadlines and would value and appreciate my services.
  • Value - I enjoyed great satisfaction making sure that my clients experience working with me was a pleasurable one. I took an active interest in their projects, asked the right questions, delivered what was expected, when was expected and went the extra mile whenever possible to make their work life less stressful by working with me.
  • The money - This one is part of my own personal value system. Not a popular motivation some creative types would want to hear me state, but it’s the truth. Fees were much higher in this market than say editorial or publishing work. If there was going to be any chance of my succeeding and making a go of this full-time and cover my bills, this was a no brainer for me.
  • Project diversity - As an illustrator, I was quite versatile and enjoyed working on a wide variety of work, from story boards, product illustrations, airbrush, humor illustration and cartooning. Again, a no brainer for me.

Working under pressure suited my personality. I worked well in the demanding, fast-paced advertising environment. That versatility gave me the advantage to prosper as a freelancer in my LOCAL market.

While I no longer just work locally, and I now specialize in humor illustration and cartooning, can you see how this approach clearly helped me in attracting the quality clients I most wanted to work most?

The better you are able to identify your potential clients mission and deeper purpose and show them how it resonates with your own, the more likely you are to make connections, experience success and satisfaction in your working partnerships.

Here’s a few more questions you may find helpful in developing your own mission and value statements.

  • How much money do you want to earn? Be specific.
  • What about your work makes you the happiest?
  • How important is balancing work and family?
  • At the end of the day, what benefits do your clients REALLY get from working with you?
  • What benefits can you offer that your competitors don’t?
  • Of all the competitor in my field, what do I offer that they do not?
  • What other personal or professional experience do you bring to the table that may be of value to your client?

Note: Even if you assume that most of your competition offers the same value and benefits as you. You’ll find that many don’t bother to to mention them. So even if you offer the same advantages and benefits, if they aren’t mentioning them, and you are, you’ll be ahead on the connection game.

“Your compensation is directly related to the size of problems you can solve or emotional void you can fill”.
Unknown

I believe there’s often a perception among artists that you have to wait around for others to recognize and approve your work, to grant you opportunities. The limiting and even debilitating belief/mindset that your career and your life depend on waiting for others discovering your greatness is something I strive to correct.

Ultimately it up to YOU to identify the deeper value in what you offer, locate the most responsive market for your work, and market your ass off to get your work in front of as many of them constantly and consistently with the right work, the right message and a solid reason for using you versus someone else.

I look forward to the many success stories that will surely come out of this 12 week challenge.

Bio

Carlos Castellanos is an Illustrator/cartoonist with over 25 years of creative services experience working with Ad agencies, book publishers and editorial clients.

He is co-creator and artist of the nationally syndicated newspaper comic strip ‘Baldo’ America’s favorite Latino comic strip. Distributed by Universal Press Syndicate to over 250 daily and Sunday newspapers. Author of two ‘Baldo’ compilation books and executive producer of the ‘Baldo’ animated television series and expert on Hispanic Marketing.

He also has a profoundly passionate about helping ambitious freelance illustration artists discover how to attract Better Clients, charge Higher Fees and discover their bigger purpose via his web site. You can also follow Carlos on Twitter.

Going From zero2illo: Lessons Learned So Far (Part 2)

Following on from Part 1 of lessons I’ve learned since embarking on this journey from full time Graphic Designer to full-time Illustrator, lets dive straight into Part 2:

5: Ask Questions

It’s easy to be intimidated by those illustrators whose work and careers you admire - thinking that they wouldn’t give you, a lowly aspiring illustrator, the time of day.

Don’t let this put you off - all of the established illustrators I have approached so far have been warm, friendly and only too happy to answer my questions. Some of the illustrators I’ve approached have also been kind enough to give me a thorough critique of my work too.

Not everyone will be super helpful and you may find, as I have, that on social networking sites like Twitter, Illustrators sometimes band together and can be a little cliquey - but don’t let this put you off, for all those people I’ve encountered I’ve also connected with 10 times as many illustrators that are only too happy to share their experience.

(NOTE: Asking questions is great, but be sure to give back too - platforms like Twitter shouldn’t be just about what you can get. Sharing the tips and experience that you’ve gathered on your journey with other aspiring illustrators is just as important.)

Remember, it’s also always a nice ego boost when someone likes your work and values your opinion enough to contact you for advice - your email may just make their day!

My First Published Work

This September 4 of my illustrations will be featured in a new book by author Martin Dawber called ‘Big Book Of Contemporary Illustration’.

This is something that has been in the pipeline for a while now, but have only just heard from the author when the official release date will be.

Website addresses will be featured along side each illustrators work, so it will be interesting to see if the exposure results in any commissions - I’ll be sure to keep you updated.

You may be interested to know that I was approached to be featured in the book after the authors researchers found my work on Illustration Friday, having illustrated one of their weekly topics.

Taking part in weekly challenges like those on Illustration Friday is not only fun, a great way to practice and create new portfolio pieces - you also never know who else is watching!

Illustration: An Ideal Location Independent Job You Can Do From Anywhere?

How would you like to just get up from your desk and go for a walk on the beach with the sand between your toes one month and the next month be topping up your inspiration reserves with a stroll through one of the world’s most architecturally stunning cities?

Some of you may be lucky enough to live in a place that affords such things, but if not and it sounds appealing, then I may just have the solution for you…

Week In Review & The Week Ahead 11th-17th May

Wow, where did the week go? This past week has been a great week for the day job, but not so great for illustration - that’s the way it goes sometimes and the bill paying work (which I’m very grateful to have) needs to take priority.

I did manage to fit in some work on the final ‘Mythical Beast’ illustration (will be adding the final touches to ‘The Medusa’ tomorrow) of the set and will be posting all of them together on the blog tomorrow as my entry for this weeks Illustration Friday topic ‘Parade’.

The Week Ahead

I read a great post on The Illustration Academy blog this week call ‘The Sketchbook Will Help Get You There’ about the importance of sketchbooks in helping illustrators to develop their own personal vision.

Developing my own personal style/vision is something I have struggled with for a long time and still do. The problem is that I enjoy working in a number of different styles and mediums, but don’t think I’ve found my own voice to bring these different methods of working together into a recognisable visual style of my own and take my work to the next level.

Take for instance James Jean or Dave McKean, these masters of their craft work in a number of styles and mediums, but you can still clearly tell that a piece of work has come from their hand.

This week, I’m going to (design & web work permitting) follow the advice from The Illustration Academy blog post and put a lot of work into my sketchbooks, have some fun and see what happens.

I’d love to hear from any other aspiring or established illustrators out there who also struggle with this constant battle of personal style or vision - please leave a comment and share your stories with everyone.